Het Essentiële [The Essential]
Ensemble
The works selected for this category are clear and strong, both in their idea and their form. They are ‘essential’ because they refuse to compromise their self-evidence, their presence as man-made objects in built space. They are sure of their value. ‘This is it; this is Art’, seems to be their statement. The power of this statement is linked to the context where they were made, the US of the 1960s. The global dominance of the movements to which these works belong – Minimal Art, Conceptual Art – reflects the power of the Western world’s dominant nation.
Some of the works in this ensemble are shown in Antwerp, while others are exhibited in Eindhoven.
Items
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Tuxedo Junction
Frank Stella, Tuxedo Junction, 1960. Painting, synthetic paint, canvas, 311.9 x 187 cm.
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Untitled (Progression)
Donald Judd, Untitled (Progression), 1969. Sculpture, aluminium, 20 x 647 x 21 cm.
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Palisade
Carl Andre, Palisade, 1976. Installation, wood, 13 x (90 x 90 x 30 cm).
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Untitled (to a Man, Georg...
Dan Flavin, Untitled (to a Man, George McGovern), 1972. Sculpture, strip lights, 316 x 316 x 10.3 cm.
Actors
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Frank Stella
Frank Stella (1936, US, lives in New York) studied painting and art history. The paintings from the seven years after his graduation in 1958
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Donald Judd
Donald Judd (1928–1994, US) studies painting and philosophy and makes a great impact on post-war art as a sculptor, printmaker and critic as
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John Baldessari
[John Baldessari](http://www.baldessari.org/) (1931, US, lives in Los Angeles) seeks to reconcile his city’s surf-and-sex aesthetic with New
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Robert Morris
Robert Morris (1931, US, lives in New York) starts as a painter with a strong interest in dance and improvisational theatre. The performative