Ensemble
Nel Aerts, The Best Helmsmen Stand on Shore, 2017. Painting.
Jan De Lauré, Untitled, 2015. Painting, oil on paper, 156.1 x 106 cm.
Dmitry Gutov, Feet II, 2013. Painting, oil on canvas, 30 x 25 cm.
Johanna Kandl, Ohne titel (Who's got the big picture), 2006. Painting, tempera, canvas, 258 x 354 cm.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he