Ensemble
Enrique Marty, Angelica, 2013. Sculpture, acrylverf op polyester op polyurethaan, haar, textiel, metaal, 163 x 50 x 51 cm.
Yang Zhenzhong, On the Pillow, 2000. Photography, b/w photo, aluminium, 115 x 95 cm, 115 x 177 cm, 115 x 185 cm, 115 x 157 cm, 115 x 182 cm, 115 x 185 cm, 115 x 183 cm, 115 x 110.5 cm.
Ivan Kožarić, Pronađena skulptura [Found sculpture], 2009. Installation, wood, variable dimensions.
Arnulf Rainer, Van Gogh als Adler, 1977-1980. Mixed Media, oil on photography, 60 x 50 cm.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he