UNIVERSALISM

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Universalism

In philosophy, universality is the idea that universal facts exist and can be discovered, as opposed to relativism, which asserts that all facts are merely relative to one’s perspective. It posits that it is possible to apply generalised norms, values and ethics to all people and cultures, regardless of the contexts in which they are located. These norms may include a focus on human needs, rights, or biological and psychological processes, and are based on the perspective that all people are essentially equivalent. Universalism has been critiqued by post-modern and post-colonial thinkers, who find lack of evidence for any ideas or values that can be applied truly universally. In his book European Universalism: The Rhetoric of Power (2006), sociologist and economic historian Immanuel Wallerstein considers universalism as a successor to colonialism as a means of speaking on behalf of the developing world and interfering in the business of other countries. He charts how the Western world has attempted repeatedly to create universals since the Enlightenment, from such things as modernism as an attempted universal language or condition, though to such things as human rights. In his understanding, universalism can be seen as the shift from the Western stereotypical perspective of the East (historically described as ‘orientalism’ by Edward Said), to a Western sense of something shared, to which the Non-Western might not always conform. As universalism is ascribed the status of being natural law by the West, non-conformity permits the right to intervention, whether through aid, cultural intervention or even warfare.

The Universal Declaration of Human Rights (UDHR) 
Universalist Exhibitions
Universal Languages

Modernism 
Modernist architecture

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About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.