Window on Infinity - Room 04
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Non-plastic painting
Jef Verheyen explores the canvas as an experience space. He describes his style as ‘non-plastic painting’. Thanks to the translucent layers of paint he applies one above the other, it is as if he is painting with air. The brushstrokes are barely visible in his atmospheric landscapes. In these dark, hazy environments, a cosmic silence predominates. Vibrations seem to set the spaces in static motion. Verheyen’s technique of building up paint in translucent layers is centuries old. Jan van Eyck applied it in in his oil paintings in the fifteenth century. Le Peintre Flamant aims to refine the technique in dematerialised ‘portraits’ of dark and light.
‘When I first exhibited in Milan and told visitors that I came from the same country as Van Eyck, Memling, Van der Weyden, Van der Goes and Rubens, they were astonished. To my Italian friends and acquaintances I was instantly Jef Verheyen, “un giovane pittore fiammingo”. In my work they recognised the continuation of what they find typical of la pittura fiamminga: light and space.’
Jef Verheyen, ca. 1970
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Annotated study sketch by...
Jef Verheyen, Annotated study sketch by Jef Verheyen about “diminishing light is increasing darkness”, 1959. Sketch, ink on paper, 2 sides.
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Jef Verheyen by the windo...
Frank Philippi, Jef Verheyen, Jef Verheyen by the window, Rubensstraat, Antwerp, 1958. Photography, photograph.
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'Het Manifest der Zeven' ...
Jef Verheyen, Paul De Vree, 'Het Manifest der Zeven' - preparatory notes for the New Flemish School, 1959. Text, ink on paper, 1 page .
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Notebook 'Contre le rien ...
Notebook 'Contre le rien Pour le tout', 1959-1960. Book, ink in notebook, 22,5 x 15,5 cm.
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Filip Tas
No description.
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Lucio Fontana
The Argentine-Italian visual artist Lucio Fontana (1899-1968) has broadened and deepened the avant-garde of the mid-twentieth century with ne
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Frank Philippi
After studying at the Royal Academy of Fine Arts in Antwerp, Frank Philippi choses photography over painting. It was his greatest hobby, but
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Jef Verheyen
Jef Verheyen consistently marched to the beat of his own drum within the history of Flemish, Belgian and international abstract art from 1954

