Ensemble
Jonathan Meese, Erzgeilststaat: "Diktatur der Kunst" verpuppt sich saufrisch…", 2011. Mixed Media, acryl, acryl modelleerpasta, mixed media, 28 x 36.5 x 47 cm.
Maria Roosen, Breasts Inside Out, 2013. Installation, glas.
Nel Aerts, The Best Helmsmen Stand on Shore, 2017. Painting.
Maryam Najd , Mediterranean Blanket II, 2016. Film, oil on canvas, 50 x 40 cm.
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will