ESTATE JEF LAMBRECHT
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Most of the artistic legacy of Jef Lambrecht comes from his own studio, bequeathed to his own non-profit charitable organization ‘Samarkand’ which in turn decided to offer most of the legacy tot the CKV as a pilot test-case. Other parts of his production are to be found with former colleague and co-founder of the BIWA, Karel Schoetens, the state radio BRT, collaborators such as ‘archives patacyclistes’ in Brussels and the archives of Bureau Gruzemayer, (including the partial archives of galleries and artist-run spaces ‘inexistent, AK-37 and Factor 44) Various collaborators to diverse activities no doubt have substantial material, as do publishers of books and catalogues, and to some degree museums & collections.
At this point much collecting and collating has to be done to reach a point of having a decent overview, and from there it can be decided if most of the archive will remain in the CKV or other institution such as Letterenhuis (the literary archive of Flanders) and at such a point the more defined role of Samarkand can be identified.
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The first is in the pain
Jef Lambrecht, The first is in the pain, 1983. Collage, paper, ink (printing) pen, paint glue, ca 40 x 30 cm.
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Original Imaginaire 34 Ma...
Jef Lambrecht, Original Imaginaire 34 Masterpeices - van Gogh, 1990. Poster, paper, ink (printing), A3/ 42x30 cm.
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Grey Van Gogh series
Jef Lambrecht, Grey Van Gogh series. Maquette, paper, ink (printing), A3/ 50x40 cm.
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Ah-ah, Monsieur est Persa...
Jef Lambrecht, Ah-ah, Monsieur est Persan (invite), 1999. Invitation Card, photostat copy, 10,5 x 15 cm.
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Robert Filliou
"L’art est ce qui rend la vie plus intéressante que l’art" - Robert Filliou Robert Filliou was a French neo-Dadaist also involved in the
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Jef Geys
Jef Geys (1934 - 2018) graduated from the Antwerp Art Academy and settled in Balen, in the Kempen region, where he worked as an art teacher a
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Koen van den Broek
In his paintings, Koen Van den Broek investigates the human experience of the environment. His paintings are readily recognizable. They are d
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Monica Droste
No description.
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