Middle Gate
Ensemble
Items
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On the Pillow
Yang Zhenzhong, On the Pillow, 2000. Photography, b/w photo, aluminium, 115 x 95 cm, 115 x 177 cm, 115 x 185 cm, 115 x 157 cm, 115 x 182 cm, 115 x 185 cm, 115 x 183 cm, 115 x 110.5 cm.
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Light Drawing
Nazanin Fakoor, Light Drawing, 2016. Installation.
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Untitled No 120 A
Cindy Sherman, Untitled No 120 A, 1983. Photography, photo, paper, 55 x 89 cm.
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Ohne titel (Who's got the...
Johanna Kandl, Ohne titel (Who's got the big picture), 2006. Painting, tempera, canvas, 258 x 354 cm.
Actors
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Artūras Raila
Shortly after finishing his studies on sculpture, Artūras Raila (°1962) decided to change the direction of his artwork. Since the mid-ninetie
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Vanessa Van Obberghen
Vanessa Van Obberghen (°1969) uses different media to reflect upon questions such as perception, migration and integration. Her works are con
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Ivan Kožarić
Ivan Kožarić (1921-2020) was born in Petrinja, Croatia. Having graduated from the Academy of Fine Arts in Zagreb in 1947, he receives a grant
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Marlene Dumas
'I am an artist who uses second-hand images and first-hand emotions'. - Marlene Dumas, 1989 Marlene Dumas (°1953) grows up in Cape Town,
Ensembles
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SPIRITUALITEIT | SPIRITUA...
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
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GEWELD | VIOLENCE
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
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WAANZIN | MADNESS
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
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MIGRATIE | MIGRATION
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will